BIOGRAPHY
Christiane Filliatreau is a renowned French ceramist.

Born in Morocco, she developed a connection with clay at an early age, playing in the fields during her childhood.

In 1968, she turned to drawing and engraving, studying for five years at the Luminy School of Fine Arts. Christiane Filliatreau is known for her unique hand-modelling technique, preferring the methods of balls and coils to the traditional potter's wheel. Her work is characterised by ceramic sculptures with organic and fluid forms, sometimes evoking gelatinous beings with movable antennae. The artist has established her studio in Buoux, in the Luberon region of southern France, where she creates exceptional ceramic artworks. Her unique creations are sought after by collectors and exhibited in prestigious galleries. Christiane Filliatreau's work stands out for its innovative approach to ceramics, transforming this traditional medium into expressive and captivating contemporary sculptures.

Christiane Filliatreau has had a notable influence on the world of ceramics thanks to her unique and innovative approach to modelling and sculpture.

Here are some aspects of her influence
Manual Approach 
Unlike many ceramists who use the potter's wheel, Christiane Filliatreau prefers hand-modelling techniques, such as balls and coils. This method emphasises gesture and touch, allowing for a more intimate connection with the material.

Creative Simplification
She has evolved towards a simplification of the creative process, using a limited number of glazes to create monochrome pieces. This reflects a mastery and refinement of her technique, while maintaining an apparent complexity in her works.

Artistic Influence
Organic Forms 
Her creations are distinguished by organic and hybrid forms that question the mutations of living things, inspired by the natural landscapes of the Luberon. These works capture the energy of nature without seeking to parody it.

Thematic Exploration 
Christiane Filliatreau also draws inspiration from ecological themes, as evidenced by her sculpture Ômu, which refers to creatures capable of regeneration, highlighting her commitment to environmental issues.

Creative Process
Integration of Emptiness: She explores the concept of emptiness in her sculptures, seeking to sculpt the interior space to create harmony between fullness and emptiness.

Rigour and Detail
Her creative process is marked by meticulous attention to detail, particularly in the interior finish of the pieces to ensure their completeness before they are considered finished. In summary, Christiane Filliatreau has enriched the field of ceramics with her distinctive manual technique, her profound thematic exploration, and her commitment to artistic and environmental integrity.